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| Improvisation & Identity: a Qualitative Study (2006) |
| Guelph Jazz Festival & Colloquium, Macdonald Stewart Art Centre, Guelph, Ontario, CANADA |
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| Free Improvisation in Theory and Practice (2006) |
| PALATINE Improvisation Pedagogy Study Day, Leeds College of Music, UK |
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| The Relationship between Theory and Creative Practice (2005) |
| Research paper delivered at the University of Surrey, UK |
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| The Construction and Representation of Identity within Freely Improvised Music (2005) |
| Representation in Music / Musical Representation, Istanbul Technical University, Turkish Music State Conservatory, TURKEY |
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| Understanding Musical Meaning: Interpretative Phenomenological Analysis and Improvisation (2005) |
| British Forum for Ethnomusicology, Annual Conference - Music & Dance Performance: Cross-Cultural Approaches, SOAS, UK |
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| Responding to Sound Recording and Digitisation as a Musician and Educator (2004) |
| Research paper delivered at the University of Surrey, UK |
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| The Creative Use of Contemporary Music Technology (2004) |
| Research paper delivered at the University of Surrey, UK |
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| Dialogue and Imagination in Creativity: reflections on the imagination in creative musical experience (2002) |
| Creativity in Question Conference, Queen Margaret University College, Edinburgh, Scotland |
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| Sampling, Narrative and Creativity (2000) |
| Research paper delivered at the University of Newcastle-upon-Tyne, UK |
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| Writing 'choons' and Popular Music Practice (2000) |
| Research paper delivered at the University of Newcastle-upon-Tyne, UK |
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| Jungle DJs: Valuing Music in Dance Culture (1998) |
| Dance Culture Conference, University of Leeds |
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| Musical Meaning: a Psychoanalytical Look at Improvisation (1995) |
| Royal Musicological Association Students' Conference, Royal Holloway, UK |
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| A Psychoanalytical Approach to Understanding Improvisation (1995) |
| Society for Research into Psychology of Music and Music Education Annual Conference, University of Leicester, UK |
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